LOBO - SELECTION

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Air Supply - Greatest Hits Live...Now And Forever (Album)

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Air Supply Selection 2022

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James Taylor

James Taylor (born 12th March 1948) is an American singer-songwriter and guitarist, born in Boston, Massachusetts. He grew up in Chapel Hill, North Carolina, where his father Isaac Taylor was the dean of the University of North Carolina Medical School. His family summered on Martha’s Vineyard.Taylor’s career began in the mid-1960s, but he found his audience in the early 1970s, singing sensitive and gentle acoustic songs. He was part of a wave of soft singer-songwriters of the time that also included Carole King, Joni Mitchell, John Denver, Jackson Browne, and Carly Simon (whom he later married)

Greatest Hits (Album)

 

Greatest Hits Volume 2 (Album)

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James Taylor - Sweet Baby James (Album)

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Kenny Rogers

Award-winning singer/songwriter Kenny Rogers enjoyed enormous success on both the country and pop charts with hits like "Lucille," "The Gambler" and "Islands in the Stream." Who Was Kenny Rogers? After working with bands and as a solo artist, Kenny Rogers released The Gambler in 1978. The title track became a huge country and pop hit and gave Rogers his second Grammy Award. Rogers also recorded a series of hits with country legend Dottie West and scored a big No. 1 tune, "Islands in the Stream," with Dolly Parton. Rogers also published several books, including a 2012 autobiography. Early Life and Career Singer and songwriter Kenneth Donald Rogers was born on August 21, 1938, in Houston, Texas. While his name was "Kenneth Donald" on his birth certificate, his family always called him "Kenneth Ray." Rogers grew up poor, living with his parents and six siblings in a federal housing project. By high school, he knew that he wanted to pursue a music career. He bought himself a guitar and started a group called the Scholars. The band had a rockabilly sound and scored a few local hits. Breaking out on his own, Rogers recorded the 1958 hit single "That Crazy Feeling" for the Carlton label. He even got to perform the song on Dick Clark's popular music program American Bandstand. Changing genres, Rogers then played bass with the Bobby Doyle Trio, a jazz group.

 

 

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Bread

Bread was a 1970s rock and roll band from Los Angeles, California. They are a prime example of what later was labeled as “soft rock.”

David Gates (guitar, keyboards, bass and vocals) and Jimmy Griffin (guitar and vocals) formed the group in 1968, adding Robb Royer (guitar, bass and vocals of Pleasure Faire) before signing to Elektra Records. Bread, the band’s debut album as a trio, was a failure. The band became a quartet beginning with their second album, On The Waters, bringing in Mike Botts as permanent drummer. This time their efforts quickly established Bread as a major act, hitting the mainstream with the #1 hit “Make It With You” in 1970. Bread began touring and recording the 1971 album titled Manna, which included their most enduring hit, “If.”

Royer left the group after three albums to pursue other interests. He was replaced by Larry Knechtel (keyboards, bass, guitar, harmonica), a top session player from the Los Angeles scene. Knechtel’s credits included records by Elvis Presley, The Beach Boys, The Mamas and the Papas, The Monkees, Jan and Dean, Johnny Rivers and Simon & Garfunkel. In 1972 Bread released the highly successful album titled Baby I’m-a Want You, followed by another hit album, Guitar Man. Tensions existed between Gates and Griffin, however. Elektra had been invariably choosing Gates’ songs for the A-sides of the singles; Griffin felt that the singles should have been split between the two, however. 

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Billy Joel

Billy Joel (born William Martin Joel on May 9, 1949 in Bronx, New York, USA) is an American pianist, singer-songwriter, and composer. Since releasing his first hit song, “Piano Man,” in 1973, Joel has become a multi-million-selling recording artist. Joel recorded many popular hit songs and albums from 1971 until he stopped recording pop/rock music in 1993. He is one of the very few rock (or even pop) artists to have Top 10 hits in the ’70s, ’80s, and ’90s. 

A six-time Grammy Award winner, he has sold in excess of 100 million records worldwide and is the sixth best selling artist in the United States, according to the RIAA. Joel’s induction into the Songwriter’s Hall of Fame (Class of 1992), the Rock and Roll Hall of Fame (Class of 1999), and the Long Island Music Hall of Fame (Class of 2006) has further solidified his status as one of America’s leading music icons. He has continued to tour occasionally (sometimes with Elton John) in addition to writing and recording classical music. Joel first lived in the South Bronx, in New York City, but his family soon moved to Hicksville, Long Island. Often he himself, along with many in the media, have confused this with him living in neighboring Levittown, NY (formed 1947). In truth, Joel lived on Meeting Lane in Hicksville, a town that has existed since 1648, near the Levittown border, in a section of town where Post-WW2, there were houses developed by Abe Levitt, known as Levitt Houses, thus forming nearby Levittown. 

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Simon & Garfunkel (Paul Simon & Art Garfunkel)

Early years Childhood friends and schoolmates, Paul Simon and Art Garfunkel began performing professionally at the age of 14 as a Everly Brothers-type duo called Tom and Jerry; in fact, they nearly scored a Top 40 hit in 1957 with Simon's composition "Hey, Schoolgirl." But subsequent success proved tough, and the duo soon went their own ways. By 1963, Simon had become inspired by the burgeoning Greenwich Village folk scene and started to write in that style. Garfunkel joined him for an album called Wednesday Morning, 3. A.M.,., but when it failed to chart, Paul decamped to England. Success: In 1965, however, Florida radio stations began receiving numerous requests for "The Sound Of Silence," a track from the album. Sensing an opportunity, producer Tom Wilson overdubbed "rock" drums and guitars over the acoustic track, creating the hit we know today. Simon returned to the US, and although neither man approved of the tinkering, they began recording hits in a similar style, including "I Am A Rock." Their career got a major boost in 1968 when their songs were featured in the Mike Nichols film The Graduate, a timely generational comedy that proved a smash hit. Later years: By 1970, Simon's songwriting had grown considerably, leading to the massive hit "Bridge Over Troubled Water." The two had grown tired of working together by that time, and entered a hiatus that turned into more or less a permanent breakup. Simon went on to an even more successful solo career, while Art became a serious actor and sang with some degree of success. The duo have reunited periodically, most notably for a single in 1975 and a free New York Central Park concert in 1981, but for the most part they have remained separate entities.

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America

America is an American rock band, formed in 1970 by multi-instrumentalists Dewey Bunnell, Dan Peek, and Gerry Beckley. The trio first met in London, where they began performing live. America achieved significant popularity in the 1970s, and was famous for the trio's close vocal harmonies and light acoustic folk sound. This popularity was confirmed by a string of hit albums and singles, many of which found airplay on pop stations. The band came together shortly after the members' graduation from high school, and a record deal with Warner Bros. Records followed. Their debut, a 1971 self-titled album, produced the transatlantic hits "A Horse with No Name" and "I Need You". Homecoming (1972) produced the single "Ventura Highway", and preceded Hat Trick (1973), which fared poorly on the charts. 1974's Holiday featured the hits "Tin Man" and "Lonely People", and 1975's Hearts generated the number one single "Sister Golden Hair", alongside "Daisy Jane". History: America's Greatest Hits, a compilation of singles, was released the same year and was certified multi-platinum in the United States and Australia. Peek left the group in 1977 and their commercial fortunes declined, despite a brief return to the top in 1982 with the single "You Can Do Magic". Four decades into their career, the group continues to record material and tour with regularity. Their 2007 album Here & Now was a collaboration with a new generation of musicians who credited the band as an influence. America has been inducted into the Vocal Group Hall of Fame and has received a star on the Hollywood Walk of Fame.

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Jim Croce

Jim Croce (Jan 10, 1943 ? Sept 20, 1973) was an American singer-songwriter from South Philadelphia whose biggest single “Bad, Bad Leroy Brown” hit number 1 on the US charts in the summer of 1973. His influences included Ian & Sylvia, Gordon Lightfoot and Woody Guthrie. Sadly, Croce died in a small commercial plane crash one day before his third album, “I Got a Name” was to be released. Early life Croce was born in South Philadelphia. He graduated from Upper Darby High School in Drexel Hill, Pennsylvania in 1960 where in 1976, he was the first former student to be added to the high school’s Wall of Fame. Then, while attending Villanova University (1965 graduate), Croce became interested in becoming a professional musician and met his future wife, Ingrid, at a hootenanny at Convention Hall in Philadelphia, where he was a judge for the contest. Early career During the early 1960s, Croce formed a number of college bands and performed at coffee houses and universities, and later with his wife Ingrid as a duo in the mid-1960s to early 1970s. At first their performances included songs by Ian and Sylvia, Gordon Lightfoot, Joan Baez, and Woody Guthrie, but in time they began writing their own music, such as “Age”, “Hey Tomorrow”, and “Spin, Spin Spin” which later led to Croce’s hit songs in the early.

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The Alarm

With idealistic spirit, a powerhouse live show, and bigger than big hair, the Alarm were part of an early-'80s wave of bands (the Call, Big Country, and the Waterboys among them) who dealt in soaring anthems inspired by the righteous idealism of punk. Clearly influenced by the impassioned political fervor of the Clash, the Alarm also worked in a mostly acoustic, folk-punk vein that provided a counterpoint to their hard-driving guitar rockers. Their stage look was unquestionably a product of the '80s, with enormous spiked-up hair accompanying a cowboy/old-time cavalry wardrobe. Yet the numerous comparisons to U2 in the press were not unfounded; despite a more conservative sonic palette, the Alarm had much the same earnest intensity, the same messianic ambitions, even the same vague spirituality. Likewise, the Alarm seemed to covet a mainstream breakthrough in the vein of The Joshua Tree's conquest of the pop charts, and polished up their sound accordingly, with mixed creative results. The British music press habitually savaged their records as derivative and pretentious, but this meant little to their zealous following who supported the band to the tune of over 5 million sales worldwide and 16 Top 50 UK singles.

The Alarm was formed in Rhyl, Wales in 1981 by vocalist/guitarist Mike Peters, who'd started out in a local punk band called the Toilets along with Alarm drummer Nigel Twist (b. Nigel Buckle). When that band broke up, Peters -- then playing bass -- formed a new outfit called Seventeen (after the Sex Pistols song) with guitarists Eddie MacDonald and Dave Sharp (b. Dave Kitchingman), both local scenesters and longtime friends. Seventeen was initially influenced by the Pistols, the Clash, the mod-revival punk of the Jam, and the punk-pop of ex-Pistol Glen Matlock's Rich Kids. As their songwriting interests grew more socially conscious, and in early 1981, the group reinvented itself as the Alarm, taking the name from a Seventeen song called "Alarm Alarm." Later that year, they moved to London and self-released their debut single, a Peters/MacDonald-penned political rocker called "Unsafe Building," backed with Sharp's folk-punk tune "Up for Murder." By this time, MacDonald and Peters had switched instruments, with Peters taking up rhythm guitar and MacDonald moving to bass.

In 1982, the Alarm signed with IRS and issued another single, "Marching On." On the strength of their live shows, U2 tapped them to open their 1983 supporting tour for War, which helped make the group's next single, the Stephen King retelling "The Stand," into an underground hit. The Alarm's self-titled debut EP appeared later in 1983, compiling previous single releases, and setting the stage for the release of their first proper album, Declaration, in 1984. A Top Ten U.K. hit, Declaration spun off several popular singles, including the Seventeen holdover "Sixty-Eight Guns" (which made the pop Top 20), "Where Were You Hiding When the Storm Broke?" (which just missed), "The Deceiver," and the live staple "Blaze of Glory." Non-LP singles followed in a cover of "The Bells of Rhymney," the new wave dance tune "The Chant (Has Just Begun)," and the British Top 40 hit "Absolute Reality."

The Alarm's sophomore effort, 1985's Strength, was another U.K. success, and brought them into the Top 40 of the U.S. album charts for the first time; additionally, the single "Spirit of '76" was a Top 40 U.K. hit. Strength displayed greater subtlety and maturity in both their songwriting and arrangements, and was often hailed as the group's best overall album. The Alarm took a break after the supporting tour, and returned in 1987 with Eye of the Hurricane, which featured more polished, mainstream production reminiscent of U2. The gambit helped them gain some rock radio play in America with the singles "Presence of Love," "Rescue Me," and especially the more danceable "Rain in the Summertime," and they landed a tour slot supporting Bob Dylan. A concert EP, Electric Folklore: Live, followed in 1988.

1989's Change was an homage to the group's native Wales, and was accompanied by an alternate Welsh-language version, Newid. Produced by Tony Visconti, Change spawned the group's biggest modern rock radio hit in America, the bluesy "Sold Me Down the River," which also put them in the U.S. pop Top 50 for the first and only time. "Devolution Working Man Blues" and "Love Don't Come Easy" also earned radio airplay, and the track "A New South Wales" boasted an appearance by the Welsh Symphony Orchestra. Although it was hugely popular in Wales, it didn't sell as well as the group's earlier works, and internal band dissension -- exacerbated by deaths in both Peters and Twist's families -- made 1991's Raw the original Alarm's final effort. "The Road" was their final radio hit, but with the band's impending breakup, IRS found little reason to promote it.

Mike Peters and Dave Sharp both embarked on solo careers. Sharp issued albums in 1991 and, after relocating to New Orleans, in 1996. Peters, meanwhile, issued his solo debut in 1995 and was subsequently diagnosed with lymphoma; fortunately, the "cancer" turned out to be benign, and Peters completed two more solo records before forming Colorsound with former Cult guitarist Billy Duffy. Peters subsequently reunited the original Alarm lineup for several live appearances, and then formed a new unit consisting of guitarist James Stevenson (Gene Loves Jezebel, Chelsea), bassist Craig Adams (the Cult, the Mission UK, Sisters of Mercy), and drummer Steve Grantley (Stiff Little Fingers).

 In February 2004, this lineup of the Alarm pulled off a masterful hoax on the British music industry by issuing a garagey punk-pop single, "45 RPM," under the fictitious name the Poppy Fields. Peters, having gotten positive feedback on the song, decided to disassociate it from his veteran band to have it judged on its own merits, and recruited a young Welsh group called the Wayriders to lip-sync the song in the video. The so-called Poppy Fields took "45 RPM" into the U.K. Top 30 before the hoax was revealed, setting the stage for the new Alarm's first album together, In the Poppy Fields. Soon after the album's release, production for a film based on Peters' manipulating of the music industry began with Shrek producer John H. Williams backing the project. 

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Kansas

Fusing the complexity of British prog rock with an American heartland sound representative of their name, Kansas were among the most popular bands of the late '70s; though typically dismissed by critics, many of the group's hits remain staples of AOR radio playlists to this day. Formed in Topeka in 1970, the founding members of the group -- guitarist Kerry Livgren, bassist Dave Hope, and drummer Phil Ehart -- first played together while in high school; with the 1971 addition of classically trained violinist Robbie Steinhardt, they changed their name to White Clover, reverting back to the Kansas moniker for good upon the 1972 arrivals of vocalist/keyboardist Steve Walsh and guitarist Richard Williams.

The group spent the early part of the decade touring relentlessly and struggling for recognition; initially, their mix of boogie and prog rock baffled club patrons, but in due time they established a strong enough following to win a record deal with the Kirshner label. Kansas' self-titled debut LP appeared in 1974; while only mildly successful, the group toured behind it tirelessly, and their fan base grew to the point that their third effort, 1975's Masque, sold a quarter of a million copies. In 1976, Leftoverture truly catapulted Kansas to stardom. On the strength of the smash hit "Carry on Wayward Son," the album reached the Top Five and sold over three million copies. Released in 1977, Point of Know Return was even more successful, spawning the monster hit "Dust in the Wind." While the 1978 live LP Two for the Show struggled to break the Top 40, its studio follow-up, Monolith, the band's first self-produced effort, reached the Top Ten. That same year, Walsh issued a solo record, Schemer-Dreamer.

 In the wake of 1980's Audio-Visions, Kansas began to splinter; both Hope and Livgren became born-again Christians, the latter issuing the solo venture Seeds of Change, and their newfound spirituality caused divisions within the band's ranks. Walsh soon quit to form a new band, Streets; the remaining members forged on without him, tapping vocalist John Elefante as his replacement. The first Kansas LP without Walsh, 1982's Vinyl Confessions, launched the hit "Play the Game Tonight," but after only one more album, 1983's Drastic Measures, they disbanded.

In 1986, however, Kansas re-formed around Ehart, Williams, and Walsh; adding the famed guitarist Steve Morse as well as bassist Billy Greer, the refurbished band debuted with the album Power, scoring a Top 20 hit with "All I Wanted." When the follow-up, 1988's In the Spirit of Things, failed to hit, seven years passed before the release of their next effort, Freaks of Nature. The London Symphony-assisted Always Never the Same followed in 1998, and in 2000 Kansas issued Somewhere to Elsewhere, their 14th studio album (and last to date), which saw the return of founder singer/songwriter Kerry Livgren.

Subsequent years found Kansas continuing to tour and release compilations and live albums, culminating in their 2014 inductions into the Kansas Hall of Fame and the Georgia Music Hall of Fame, which coincided with the group's 40th anniversary. Miracles Out of Nowhere, a DVD/CD career retrospective, followed in early 2015.

 

 

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Christopher Cross

Christopher Cross was far and away the biggest new star of 1980, virtually defining adult contemporary radio with a series of smoothly sophisticated ballads including the chart-topping "Sailing"; seemingly as quickly as he shot to fame, however, his star descended, although he continued recording and touring for years to come. Born Christopher Geppert in San Antonio, TX on May 3, 1951, Cross first surfaced in the Austin-based cover band Flash before signing a solo contract with Warner Bros. in the autumn of 1978.

His self-titled debut LP appeared two years later, with the lead single "Ride Like the Wind" rocketing to the number two spot; the massive success of the second single, "Sailing," made Cross a superstar, and in the wake of two more Top 20 hits, "Never Be the Same" and "Say You'll Be Mine," he walked off with a record-setting five Grammys in 1981, including Best New Artist and Song of the Year for "Sailing." He soon scored a second number one as well as an Academy Award with "Arthur's Theme (Best That You Can Do)," which he co-wrote with Burt Bacharach, Carole Bayer Sager, and Peter Allen for the smash Dudley Moore film comedy Arthur.


Cross' much-anticipated sophomore effort, Another Page, arrived in 1983, but except for the Top Ten entry "Think of Laura" (popularized through its constant presence on the daytime soap phenomenon General Hospital), the album failed to repeat the success of its predecessor, and somewhat amazingly, he never returned to the Top 40 again. Every Turn of the World appeared to little notice in 1985, and when 1988's Back of My Mind failed to chart altogether, Cross was dropped by Warner. His next album, Rendezvous, did not appear until five years later on BMG. Window followed in 1995, and in 1998 he signed to CMC International for Walking in Avalon, a two-disc effort split between new studio material and live recordings of his past hits.

Cross returned in the spring of 2000 with The Red Room. Two years later, Rhino released the comprehensive hit collection The Very Best of Christopher Cross. Cross closed out the decade with a Christmas album in 2007 and an acoustic album called The Cafe Carlyle Sessions in 2008. Dr. Faith, his first collection of new songs in ten years, appeared in the fall of 2010.

 

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John Denver

Henry John Deutschendorf, Jr.

31 December 1943 in Roswell, NM

One of the most popular recording artists of the 1970s, country-folk singer/songwriter John Denver's gentle, environmentally conscious music established him among the most beloved entertainers of his era; wholesome and clean-cut, his appeal extended to fans of all ages and backgrounds, and led to parallel careers as both an actor and a humanitarian.

Born Henry John Deutschendorf in Roswell, NM, on December 31, 1943, he was raised in an Air Force family, and grew up in various regions of the southwestern U.S. As a teen, his grandmother presented him with a 1910 Gibson acoustic guitar, and while attending Texas Tech University he began performing local clubs. Adopting the stage surname "Denver" in tribute to the Rocky Mountain area he so cherished, he dropped out of college in 1964 to relocate to Los Angeles; there he joined the Chad Mitchell Trio, a major draw on the hootenanny circuit of the early '60s but in the twilight of their career at the time of Denver's arrival.

Over time, however, Denver helped resuscitate the group on the strength of his songwriting skills; signed to Mercury, the Trio recorded a number of tracks, which the label repackaged in 1974 as Beginnings With the Chad Mitchell Trio. Upon the departure of the last remaining founding member, the Chad Mitchell Trio became known as Denver, Boise and Johnson; the new group proved short-lived, however, when Denver exited in 1969 to pursue a solo career.

That same year he recorded his debut LP, Rhymes and Reasons; while not a hit, it contained one of his best-loved compositions, "Leaving on a Jet Plane," an international chart-topper for Peter, Paul & Mary. Still, neither of Denver's follow-up albums, 1970's Whose Garden Was This and Take Me to Tomorrow, launched him as a solo performer; finally, with 1971's Poems, Prayers & Promises, he achieved superstardom, thanks to the million-selling hits "Take Me Home, Country Roads" and "Sunshine on My Shoulders." In the years to follow, Denver also scored with "Annie's Song" (penned for his wife) and "Back Home Again," and by 1974 was firmly established as America's best-selling performer; albums like 1975's An Evening With John Denver and Windsong were phenomenally popular, and he continued to top the singles charts with efforts including "Thank God I'm a Country Boy" and "I'm Sorry." Additionally, his 1974 best-of collection sold over ten million copies worldwide, and remained on the charts for over two years.

At the peak of his success, Denver was everywhere -- the governor of Colorado proclaimed him the state's poet laureate, his label Windsong was responsible for hits like the Starland Vocal Band's mammoth "Afternoon Delight," and he appeared in a number of ratings-grabbing television specials. In 1977, he even moved into film, co-starring with George Burns in the comedy hit Oh, God! During this time, however, he dramatically curtailed his recording output, and after 1977's I Want to Live, issued no new material until 1980's Autograph.

The following year, he performed with opera star Placido Domingo, but as the decade progressed, Denver's popularity waned as he turned his focus more toward humanitarian work, focusing primarily on ecological concerns and space exploration; he also toured Communist-led Russia and China, and in 1987 performed in Chernobyl in the wake of that city's nuclear disaster.

While maintaining a solid cult following, by the 1990s Denver had largely fallen off the radar, and he made more news for a 1993 drunk-driving arrest than he did for records like 1991's Different Directions. In 1994, he published an autobiography, Take Me Home. Tragedy struck on October 12, 1997, when his experimental aircraft suddenly crashed, killing him instantly. Denver was 53.

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Don Mclean

Ronald McLean

October 2, 1945 in New Rochelle, NY

 Famed for -- and ultimately defined by -- his perennial "American Pie," singer/songwriter Don McLean was born October 2, 1945, in New Rochelle, New York. After getting his start in the folk clubs of New York City during the mid-'60s, McLean struggled for a number of years, building a small following through his work with Pete Seeger on the Clearwater, a sloop that sailed up and down the eastern seaboard to promote environmental causes.

Still, McLean was primarily singing in elementary schools and the like when, in 1970, he wrote a musical tribute to painter Vincent Van Gogh; the project was roundly rejected by a number of labels, although MediaArts did offer him a contract to record a number of his other songs under the title Tapestry. The album fared poorly, but Perry Como earned a hit with a cover of the track "And I Love You So," prompting United Artists to pick up McLean's contract. He returned in 1971 with American Pie; the title track, an elegiac eight-and-a-half-minute folk-pop epic inspired by the tragic death of Buddy Holly, became a number one hit, and the LP soon reached the top of the charts as well.

The follow-up, "Vincent," was also a smash, and McLean even became the subject of the Roberta Flack hit "Killing Me Softly with His Song"; however, to his credit -- and to his label's horror -- the singer refused to let the success of "American Pie" straitjacket his career. Subsequent records like 1972's self-titled effort and 1974's Playin' Favorites deliberately avoided any attempts to re-create the "American Pie" flavor; not surprisingly, his sales plummeted, and the latter release even failed to chart.

After 1974's Homeless Brother and 1976's Solo, United Artists dropped McLean from his contract; he resurfaced on Arista the next year with Prime Time, but when it, too, fared poorly, he spent the next several years without a label. McLean enjoyed a renaissance of sorts with 1980's Chain Lightning; his first Top 30 LP in close to a decade, it spawned a Top Ten smash with its cover of Roy Orbison's classic "Crying," and his originals "Castles in the Air" and "Since I Don't Have You" both also reached the Top 40. However, 1981's Believers failed to sustain the comeback, and after 1983's Dominion, he was again left without benefit of label support.

McLean spent the remainder of his career primarily on the road, grudgingly restoring "American Pie" to his set list and drawing inspiration from the country market; in addition to a number of live sets and re-recordings of old favorites, he also returned to the studio for projects like 1990's For the Memories (a collection of classic pop, country, and jazz covers) and 1995's River of Love (an LP of original material).

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Bagets Movie Soundtrack

Soundtrack list

•  “Growing Up” (Gary Valenciano) 
•  “So It’s You” (Raymond Lauchengco)
•  “Farewell” (Raymond Lauchengco) 
• “Why Don’t You Care?” (Harner Brothers) 
• “High School High” (Spirit) 
•  “Telephone” (Chona Cruz) 
•  “Why Me?” (Jo Khrishner (Giorgio Moroder))
•  “This Is A House” (Spirit) 
•  “Self-Respect” (ZZYZX Band) 
•  “Baby I Lied” (Debbie Allen) 
• “Jump (For My Love)” (The Pointer Sisters) 
•  “You and I” (Kenny Rogers) 
•  “Just Got Lucky” (Jo Boxer) 
•  “Rock It” (Herbie Hancock) 

 History “Growing Up” was the main theme song of the movie which was heard in its opening and closing credits. This was always a promotional song during the rounds on the programs of the various television stations. “So It’s You” was its main love theme song particularly when the scenes about the celebration of Valentine’s Day was shown.

There was an MTV like scene which featured Raymond Lauchengco serenading Eula Valdez with this song. The two wore formal clothes and the location was the Ugarte Football Field in Makati with matching fireworks. “Baby I Lied” and “You and I” served as other love theme songs to the back stories of the characters played by Aga Muhlach and J.C. Bonnin, respectively. “Farewell” was the background song when the main characters encountered their separate heart aches and sadness because of the death of a lady love, a person he loves left for abroad for marriage and his love prospect can not return his affection because she is already married.

However, in the hearts and in the minds of the high school seniors graduating that year, this song was their graduation song. “Why Don’t You Care” was the musical score in the scene where Herbert Bautista, riding a bicycle, saw his romantic prospect played by Jobelle Salvador who was a passenger of a tricycle. This was a hilarious scene where even if the young lad learned where she lives, he found out that her father is a military man who he saw cleaning the latter’s M-16 rifle which was issued to him for official use.

The lyrics of “High School High” was about the various challenges a high school student experienced: difficult subjects to learn and to study and the several examinations to be taken to pass these subjects. This was the score when the main characters arrived at their new school during the first day of classes as high school seniors and exploring its surroundings and its people. “Telephone”, “Why Me?” and “Jump (For My Love)” were used as the background music in the Junior-Senior Prom scenes. “Just Got Lucky” was used when the main characters had their summer outing and towards the end of the movie when Bautista’s character told his love for Salvador’s character after a few funny distractions.

The young lady accepted his proposal to be his sweetheart which surprised the young man. “Rock It” was for the scene where the character of William Martinez accepted the challenge of a classmate for a drag racing without thinking of the consequence which he regretted later.

His sweetheart played by Yayo Aguila died in the car crash while he survived. “This Is A House” and “Self-Respect” were used in the other scenes where the characters were engaged in the different activities as teenagers. For the graduating high school seniors of the year 1984, the movie and the soundtrack served as souvenirs of their high school lives.

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Air Supply

Air Supply is an Australian soft rock duo, consisting of Graham Russell as guitarist and singer-songwriter and Russell Hitchcock as lead vocalist. They had a succession of hits worldwide, including eight Top Ten hits in the United States, in the early 1980s. They formed in Melbourne, Australia in 1975 and have included various accompanying musicians and singers. 

The two met in May 1975 while performing in the Australian production of the Andrew Lloyd Webber/Tim Rice musical, Jesus Christ Superstar. Later that year, the duo, along with Chrissie Hammond and two others, formed Air Supply as a five-man group. Hammond left the band and was replaced by Jeremy Paul in time for the group’s first Australian hit single, “Love and Other Bruises.” It was followed by a debut album that reached gold in Australia, which featured keyboardist/arranger Adrian Scott, drummer Jeff Browne, and guitarist Mark McEntee. Singles during this period included “Empty Pages” and “Do What You Do”. The group was invited to open for Rod Stewart during his tour of Australia; he was so impressed with their performance that he invited them to be the opening act during his tour of the United States. During this tour, Jeremy Paul left the band. (He later played with the original lineup of the Divinyls, led by Chrissie Amphlett and Mark McEntee.) 

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Elton John

Sir Elton Hercules John, CBE (born Reginald Kenneth Dwight in Pinner, Middlesex, England on 25 March 1947) is an immensely popular English singer, composer (mostly with lyricist Bernie Taupin) and pianist. In a career spanning five decades, Elton John has sold over 250 million records and has over fifty Top 40 hits, making him one of the most successful musicians of all time. His 1997 tribute to Diana, Princess of Wales, “Candle In The Wind 1997,” remains the world’s biggest selling and fastest selling single of all time.

 In 1964, Dwight and his friends formed a band called Bluesology. By day, he ran errands for a music publishing company; he divided his nights between solo gigs at a London hotel bar and working with Bluesology. By the mid-1960s, Bluesology was backing touring American soul and R&B musicians like The Isley Brothers, Major Lance, Billy Stewart, Doris Troy and Patti LaBelle and The Bluebelles. In 1966, the band became musician Long John Baldry’s supporting band and played 16 times at The Marquee Club. John was one of the dominant commercial forces in the rock world during the 1970s, with a string of seven consecutive #1 records on the U.S. album charts, twenty-three Top 40 singles, sixty Top 10 hits, and six #1 hits. His success had a profound impact on popular music, and contributed to the continued popularity of the piano in rock and roll.

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